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Conclusion [Reproductive Health and HIV/AIDS Prevention Campaign]
Summary
As a strategy for communication, I see creative traditional dance as having immense potential to increase people's participation and hopefully initiate social change because:
- As an innovation, it is not new and compatible with the cultural values of theTaita people thus easily adaptable (Rodgers, 1995).
- It has the potential to be more pervasive, persuasive, persistent, personal, and popular.
- It has the potential for being democratic in that the people can play an active role in producing and distributing their own messages.
- It is cheap and best since all it needs is appropriating of human resources, which is plentiful in Wongonyi, Taita/Taveta.
- It is capable of being more effective since it uses interpersonal channels that have been found to have more impact in rural communities than the mediated channels of electronic and print media (Zakes, 1993).
It is my hope that this study will stimulate interest in Taita (African) traditional dance and performance ethnography, which insists on face-to-face encounters instead of abstractions and reductions (Turner, 1986), as a method that has immense potential in adding new knowledge to the communication discipline, especially in aspects that cannot be narrowed to a language that can be written or measured and counted.
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