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Mapenzi Tamu (sweet love)

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Featuring a cast of former street children from the Dagoretti Child in Need Project in Kenya, Mapenzi Tamu (Sweet Love) is a theatrical production that aims to give street children a voice and raise awareness about HIV/AIDS and tackle related stigma. According to the organisers, stigma continues to be a significant hurdle to HIV prevention and care of people living with HIV/AIDS in the country. The production also aims to break stereotypes often associated with street children, and raise awareness about HIV/AIDS issues related to them.
Communication Strategies

Mapenzi Tamu (which means sweet love in Swahili) was originally a ballad written by a few boys from the centre and later developed by an acclaimed Italian actor and playright, Marco Baliani. The 21 performance scenes “use wit and irony and are presented in a language that addresses other young people.” The musical score directed by Paolo Fresu is composed of elements of jazz and street style Hip Hop.

Street children are potentially exposed to many sexual relationships and girls are particularly vulnerable to sexual violence. The play offers a window into their experiences and views on AIDS which have been neglected. It also aims to break barriers by communicating candidly about street children and HIV. In one of the scenes, a young man and young woman are guided on the use of a condom and collective discussions about love are depicted through a performance. Another scene talks of the life story of a common girl in the slum; the insecurity, love, lust, teenage pregnancy and early motherhood she is faced with.

The play also aims to break the stereotype often associated with street children by unveiling their hidden potential, talents, intelligence and their sense of responsibility. According to the organisers, the play was well received amongst other young people living in the slum and in the streets during performances in Dagoretti. The cast are also considered to be positive role models to other young people. The project is based on the idea that theatre training uses the art of physical expression which enables the youth to use their bodies and voices to communicate.

After its launch at the Kenya National Theatre in November 2006, the production toured Italian theatres during the December festive season. In January 2007, the cast performed during the World Social Forum in Nairobi.

Along with theater, the project is also using videography and other artistic interventions as a way of giving youth from the street a voice. According to the project's manager, taking part in the theatre group ensures that they have daily commitments and "aims to achieve, giving them a sense of responsibility and of belonging to a team".

Development Issues

HIV/AIDS, Children.

Key Points

The theatrical production is part of the Dagoretti Child in Need Project, a community-based street children rehabilitation initiative, which is a component of the family health programme of the African Medical and Research Foundation (AMREF). The project runs a youth centre, which caters for 180 children by preparing them for formal schooling or vocational training. They are also provided with food, health care, counseling and support to reintegrate them into the family or community.

The play is based on the fact that, according to a UNAIDS report released last year, HIV prevalence in Kenya has fallen to 6 percent. However, HIV positive Kenyans continue to face stigma from their families and members of the community who remain ignorant about how the disease is transmitted. The fear surrounding AIDS stops many people from being tested and seeking treatment early. It also prevents them from sharing their status with their spouses or partners thus putting them at risk.

Partners

African Medical and Research Foundation (AMREF), Dagoretti Child in Need Project.

Sources

Email from Marsden Momanyi to Soul Beat Africa on February 5 2007.

Comments

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Submitted by Anonymous (not verified) on Wed, 02/25/2009 - 03:47 Permalink

I have had the special previledge of watching the show and am gald that finally someone saw it as i did an effective communication initiative.Kudos.
Bonny

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Submitted by Anonymous (not verified) on Fri, 05/23/2008 - 02:51 Permalink

I found this page very useful because I am a strong advocate of entertainment education (edutainment). I find the impact more long lasting and real. Change is a gradual process that can not be attained overnight. However, when change information is made to be part of our life through avenues of entertainment as drama, we get entertained and keep reliving the experience. We share the jokes with friends, discuss and debate issues raised. With time, the message becomes part and percel of us: we unconsciously avoid the negative and embrace the positive.

This is the method that was used traditionally in Africa as there were hardly formal set ups to educate. Nonetheless, people still learnt alot through informal methods: storytelling, riddles, proverbs, folksongs, initiation ceremonies etc. I believe this is the best way forward in handling the issue of HIV/AIDS in Africa.

I confirmed this when I participated in production of youth radio drama for a period of three years. As we did role playing, after a while most of us found it easy to do what we simply acted e.g. taking HIV test, accommodating PLWAs etc. I believe more research is needed here, especially in African set-up.

Rosemary Nyaole - Kowuor
Communication Lecturer
Daystar University, kenya

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Submitted by Anonymous (not verified) on Mon, 06/30/2008 - 02:52 Permalink

how can i watch that play and do that cast still perform and where?